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Last updated: 11 Jun 2026 at 19:33 UTC

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Review of by Chads. — 18 Mar 2008

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They're only acting, Andrew(Michael Caine) and Milo(Jude Law); slipping on other skins is how the novelist and actor butter their bread. Both men shoot Harold Pinter's words at each other with cold precision.

They duel in rooms illuminated by a blue light. Their mouths are benign guns. Andrew is just pretending, like a blank pretends to be a bullet, when the novelist aims his pistol at Milo. It's a game.

The jewel heist, nothing more than smoke and mirrors. Both robbery attempts are deconstructive and anti-climactic. "Sleuth" is really about identity. In the endgame, the blue light affixes itself to Milo alone, while the sudden appearance of the red light seeks out Andrew in melancholic repose.

Perhaps, these are the two men as they really are, finally, in three-dimensions, the truth comes out as the red and blue lights converge and produce a white light; an x-ray light.

This review of Sleuth (2007) was written by on 18 Mar 2008.

Sleuth has generally received mixed reviews.

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