Review of Sinister (2012) by Anthony Lane for The New Yorker — 07 Oct 2012
Throughout Sinister, the rooms remain darker than crypts, whether at breakfast or dinnertime, and the sound design causes everything in the house to moan and groan in consort with the hero's worrisome quest.
I still can't decide what creaks the most: the floors, the doors, the walls, the dialogue, the acting, or the fatal boughs outside.
You can read the full review where it was originally posted online.
This review of Sinister (2012) was written by Anthony Lane and published by The New Yorker on 07 Oct 2012.
Sinister has generally received positive reviews.
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