Review of Singin' in the Rain (1952) by Pauline Kael for The New Yorker — 16 Feb 1990
The nonsense is generally good and at times it reaches the level of first-class satiric burlesque. Adolph Green and Betty Comden may have tossed off the script with their left hands, but occasionally they come through with powerful and hilarious round-house rights.
You can read the full review where it was originally posted online.
This review of Singin' in the Rain (1952) was written by Pauline Kael and published by The New Yorker on 16 Feb 1990.
Singin' in the Rain has generally received very positive reviews.
Was this review helpful?
Yes
No
