Review of Since Otar Left (2003) by Juan G — 26 Aug 2008

Very moving ! I loved grandma, she is a strong woman.

This review of Since Otar Left (2003) was written by Juan G on 26 Aug 2008.

Since Otar Left has generally received very positive reviews.

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More Reviews of Since Otar Left

Review of Since Otar Left (2003)

By Sara - (77) on 07 Dec 2007

Another beautiful film, a bit similar to goodbye lenin so if you liked that as much as I did, give thisone a try…

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Review of Since Otar Left (2003)

By Chloe C (426) on 09 Apr 2009

The scene in which Tengiz identifies how his generation was forced to live lies in order to survive alone makes this movie worth watching…

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Review of Since Otar Left (2003)

By Faizal K (14) on 25 Oct 2007

Watching it a couple of years ago.. but the story is still so poignant…

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Review of Since Otar Left (2003)

By Carolyn D (36) on 26 Oct 2007

Funny, sad, sweet, poignant, surprising -- all apply to this beautiful story of three generations of women living under one roof in post-Communist…

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Review of Since Otar Left (2003)

By Nick Dawson (8) for Empire Magazine (3,326) on 03 Jun 2004

The relationship between Ada and Eka is beautifully written and utterly believable, while the film's central idea of compassionate deception…

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Review of Since Otar Left (2003)

By Cynthia S (730) on 13 Mar 2011

Not a bad movie by any means, but I wouldn't go around recommending it either…

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Review of Since Otar Left (2003)

By Enrique Buchichio (359) for Uruguay Total (359) on 29 Mar 2005

La principal fortaleza del film, además de la atenta mirada y la sensibilidad de Bertuccelli, es ese impecable trío de actrices…

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Review of Since Otar Left (2003)

By Bodil L (1) on 10 Apr 2008

Another great, slow-paced movie. I found the character of the grandmother interesting…

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Review of Since Otar Left (2003)

By Marta Barber (91) for Miami Herald (3,319) on 26 Aug 2004

The finely crafted film shows the complex needs and anxieties of a three-generation family living in a country that has undergone dramatic…

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Review of Since Otar Left (2003)

By Allison Benedikt (153) for Chicago Tribune (6,211) on 23 Jun 2004

Though Bertuccelli's film orbits around a lie, the story is really less about deception and suspense than it is a moving portrait of female…

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