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Last updated: 13 Jun 2026 at 00:26 UTC

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Review of by Carlos R — 24 Nov 2016

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This film marked a considerable downfall for one of my idols. It was weird, yet everyone liked it. Robert Rodriguez got extremely wrapped up in the George Lucas style of shooting films. All green screen and digital effects. Though everyone praises Machete, No one cared much for its sequel or a Dame to Kill For. But to his credit, he has put himself in the wonderful position to do whatever he wants. It just pains me that most of these actors were never even in the same room with each other. I'd venture to call that an editor's dream.

This film is 4 stories that not only interlay well but broke the mold at the same time. It is like the remake of psycho in a way that is it a 100% accurate depiction of its source material. It broke the mold of digital filming at the time and was so different to our eyes even though it was simply black and white. When colors are used, it seems to fit the mood perfect. It took a truly ensemble cast and translated Frank Millers work beautifully. It also seems a lot like Planet Terror in how they stuck to a genre, the embodiment of noir.

This movie made Robert Rodriguez even more of a pioneer. It is bloody like a Tarantino movie. Also, it isn't in chronological order, which is another staple of Quentin. It is over dramatic and perfectly cartoony. The pulpy way it plays was interesting and Frank Millers early works will always be classic. Never personally was too big of a fan, but I understand the accomplishments of the film.

This review of Sin City (2005) was written by on 24 Nov 2016.

Sin City has generally received very positive reviews.

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