Review of Signs (2002) by Anthony Lane for The New Yorker — 02 Sep 2009
It's a high-octane doomsday vision built almost entirely around our sense of anticipation, and that's both its strength and its weakness.
You can read the full review where it was originally posted online.
This review of Signs (2002) was written by Anthony Lane and published by The New Yorker on 02 Sep 2009.
Signs has generally received positive reviews.
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