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Last updated: 06 Jun 2026 at 01:22 UTC

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Review of by James-Masaki R — 06 May 2010

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Voice-over is a common noir trait, but here it's done so horribly and is so entirely unnecessary that it becomes a drawback. Also, O'Connell really has to nothing to do except act clingy and concerned.

But that's made up for by Jean Hagen, who is just wonderful as the boozy lounge singer. The film is really brutal at times, and perfectly captures the story of a guy who can't catch a break and always seems to do the wrong thing.

The use of New York locations is utterly fantastic, highlighted by outstanding photography by Joseph Ruttenberg. The dingy streets, the hallways with peeling wallpaper, and of course the brilliant final chase, shot from high above the action.

As a whole, the movie doesn't stand up as a complete masterpiece, but there are some exhilirating elements.

This review of Side Street (1950) was written by on 06 May 2010.

Side Street has generally received positive reviews.

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