Shirley (2020) - Movie Reviews - Page 3 of 3

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Review of Shirley (2020)

By Richard Lawson (539) for Vanity Fair (761) on 29 Jan 2020

Shirley is a relentless film, ceaselessly in motion. Its actors, then, must go chasing after it, with Moss leading the fearless charge…

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Review of Shirley (2020)

By Alan Ng (404) for Film Threat (5,156) on 28 Jan 2020

It’s Odessa Young that does much of the heavy lifting acting-wise, though overshadowed by Moss, as she is the one who ultimately transforms…

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Review of Shirley (2020)

By Jordan Raup (239) for The Film Stage (3,162) on 27 Jan 2020

Where Decker’s film excels is in the innovative perspective brought to each moment and the talented ensemble that gets to grab ahold of the…

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Review of Shirley (2020)

By David Canfield (6) for Entertainment Weekly (6,953) on 27 Jan 2020

The plot, admittedly, is scattered; this is par for the course for Decker, but in a movie with more conventional bones, the shagginess sticks…

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Review of Shirley (2020)

By Benjamin Lee (469) for The Guardian (2,969) on 26 Jan 2020

There’s a lot here to digest, a bitter cocktail with many confounding flavours and its abrasiveness will prove tough-going for some, especially…

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Review of Shirley (2020)

By Jason Bailey (832) for The Playlist (3,871) on 26 Jan 2020

One of the masterstrokes of Sarah Gubbins’s screenplay is how deftly she underscores the differences in the perception and presentation of…

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Review of Shirley (2020)

By Chris Evangelista (306) for Slashfilm (971) on 26 Jan 2020

This is a fictional biography, and yet every moment rings true…

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Review of Shirley (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 26 Jan 2020

Gubbins’ script is tart, verbally lively and neatly constructed, while director Josephine Decker, in her first outing since her well-received…

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Review of Shirley (2020)

By Carlos Aguilar (278) for TheWrap (3,203) on 26 Jan 2020

Decker is a superbly imaginative director, which leaves one wishing her creative powers had pushed the film even further away from the constraints…

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Review of Shirley (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Jan 2020

Decker’s characteristically sawtoothed and delirious new film is set in the same latent space between fact and fantasy — a story and its…

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Review of Shirley (2020)

By Peter Debruge (1,557) for Variety (12,700) on 26 Jan 2020

Rather than presenting another puzzle with important pieces missing, with this project, Decker provides more material than we know what to…

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