Review of Shampoo (1975) by Diana S — 20 Jul 2008

Well, I was almost caught up on my reviews. Then I slacked off again. It never ends.

Directed by F.W. Murnau ("Tabu: A Story of the South Seas"), [b]Sunrise [/b]is a silent film following a cheating husband whose mistress urges him to kill his wife. I sometimes have difficulty with silent films, but this one is so gorgeous and heartbreaking. The wife, Janet Gaynor ("Bernadine"), has a face like a luminous moon. And every emotion is conveyed perfectly without the use of words. The cinematography is also very good. Dare I say...masterpiece?

[b]Absence of Malice[/b] is a tight little thriller with Sally Field ("Two Weeks") as a journalist investigating and becoming involved with Paul Newman ("Cars"), who the FBI suspect of murder. Director Sydney Pollack ("Sketches of Frank Gehry") explores the power of the press and what really constituents news. Very enjoyable.

Based on actual events, [b]Mutiny on the Bounty[/b] chronicles one crews voyage from England to Tahiti under the reign of an abusive captain. When pushed too far, the crew mutinies, taking control of the vessel. The story then follows through to the Navy's punishment of the men who were caught. Compelling story. Good acting. Clark Gable ("The Misfits") is particularly entertaining. This is also an interesting look at history. Events would not go down like that today. At least, I don't think they would.

So, I watched [b]Shampoo[/b], and I didn't get it. I still don't. Warren Beatty ("Town & Country") stars as a hairdresser juggling a bunch of women. To me, he didn't seem likable, nor did he seem to have any feelings. So when he has an emotional moment, I didn't believe it. I don't understand why this was nominated for a Best Screenplay Oscar.

[b]The Killing Fields[/b] is based on the actual relationship between New York Times reporter Sydney Schanberg and his Cambodian liaison, Dith Pran, as they attempt to cover the civil war in Cambodia. The first half of the film is sort of about the dangers they face as investigative journalists and the friendship they form. The second half follows Pran as he tries to escape from a work camp and his friend endeavors to find him. Good social commentary without being too preachy. The bombing scenes are especially disturbing. Also, examines where will one go to get a story and how far should you take it.