Review of Shake Hands with the Devil (1959) by Humberto F — 12 Apr 2015
A perfect match with Michael Collins for an Irish troubles double feature with some impressive directorial flourish from Anderson and another captivating Cagney showcase. There is some beautiful sights in the film, especially around the lighthouse where much of the later action takes place.
Anderson adds plenty of excitement to his shots, such as the POV interrogation scene where all we see is a hand slapping away at the camera. The script offers a pretty evenhanded examination of the Irish strife, establishing a tense police-state atmosphere courtesy of the Black & Tans but not forgetting to show the harsh code of silence on the rebel side.
The scene where Kerry O'Shea watches an IRA man break down after shooting an informer prostitute is still quite wrenching to watch. Cagney always keeps you off balance with his performance, a master at the anti-hero especially with this part.
You always get a sense of a zealous determination to his fight for the cause, but the film last half hour shows him going over the line when he is unaccepting of the Anglo-Irish treaty, as in fact many were at the time.
The final tragic showdown atop the windswept hilly coast is a nail biter and Anderson delivers right to the final frame with a beautiful shot of Lenihan's pistol falling to the beach sands below. Keep an eagle-eye out for a very young Richard Harris and Doctor Who's original Time-Lord, William Hartnell.
This review of Shake Hands with the Devil (1959) was written by Humberto F on 12 Apr 2015.
Shake Hands with the Devil has generally received positive reviews.
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