Review of Seberg (2019) by Anthony Lane for The New Yorker — 09 Dec 2019
If the story of Jean Seberg is one of the more wretched footnotes in the chronicle of fame, that’s all the more reason to treasure those occasions, onscreen, when she was not a victim — when she bore herself, and whatever pains she harbored, with mastery and grace.
You can read the full review where it was originally posted online.
This review of Seberg (2019) was written by Anthony Lane and published by The New Yorker on 09 Dec 2019.
Seberg has generally received mixed reviews.
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