Review of Sayonara (1957) by Matthew D — 18 Jun 2018

A progressive romance tale for the ages.

Director Joshua Logan crafts a thoughtful romance story in Japan that touches on many relevant issues such as racism, interracial marriage, military code, tradition, and real love. Sayonara may be from 1957, but It is a movie before its time as it goes out of its way to show you the humanity of all sides and genuine love across race and country lines. The screenplay from writer Paul Osborn is truly ahead of his time. I am stunned at how profound and progressive Sayonara remains to this day.

Marlon Brando delivers a fascinating role as an ignorant country boy from Virginia that learns to appreciate, and indeed, love Japan's country, people, and culture. He is so far removed from the usual thoughtful intellectual Brando characters that Brando's performance is all the more impressive. He demonstrates the character's gradual shift in ideals. It's a wonderful role for Brando that marks his last great role in his untouchable 1950's era.

Similarly, actress Miiko Taka stars as the leading lady Hana-ogi. Her English is perfect as she delivers the most endearing monologue of the movie to Brando during their first dinner together. Her singing is lovely and her dancing is mesmerizing. Taka gave us the performance of a lifetime in Sayonara.

Additionally, Sayonara holds several incredible supporting performances. Namely, Patricia Owens, Miyoshi Umeki, Red Buttons, and Ricardo Montalbán. They each represent another side of the racial relationships occurring in 1950's Japan. They are so sincere and sympathetic in their own way.

Musically, Franz Waxman composed the most lovely score for Sayonara. It is romantic and atmospheric. It only chimes in at the most sweet moments. I really enjoyed how pretty Sayonara's score sounds.

In all, Sayonara is a must see romance film. It has proven to be timeless and continues to be relevant. All that's left to say is Sayonara!