Review of Sabotage (1937) by Pauline Kael for The New Yorker — 25 May 2001
Freely adapted from Conrad's The Secret Agent, this 1936 study of murderous intimacy is ripe for reevaluation as the masterpiece of Alfred Hitchcock's British period.
You can read the full review where it was originally posted online.
This review of Sabotage (1937) was written by Pauline Kael and published by The New Yorker on 25 May 2001.
Sabotage has generally received positive reviews.
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