Review of Rushmore (1998) by Chris S — 21 Nov 2011

Rushmore is a fantastic film for many reasons. As someone who lives in Houston, it's still amazing to think that a big portion of Rushmore was shot here. This little independent gem was more than likely your introduction to both director and Houston native Wes Anderson and actor Jason Schwartzman and what an introduction it would turn out to be. Anderson would go on to continue giving us quirky yet extremely heartwarming films while Schwartzman evolved into a very talented actor and worked with Anderson on several other occasions. Once you hear Bill Murray say, "Yeah, I was in the @#$%," you know you're in for something special. Rushmore is just what every comedy, independent or otherwise, should be.

The love triangle between Max Fischer (Schwartzman), Herman Blume (Murray), and Rosemary Cross (Olivia Williams) is one of the things that makes Rushmore so good. Each character brings out the best in the others while their flaws only seem to strengthen the performances of those around them. Max is devoted to so many activities and clubs around Rushmore Academy that he finds himself on the verge of expulsion from failing grades, Ms. Cross is still grieving her husband who only passed a year ago, and Mr. Blume is one of the richest guys around, finds himself in a failing marriage, doesn't know how to act around people, and has a drinking problem. The rivalry that develops between Max and Herman is just extraordinary. Nearly any scene featuring Bill Murray is incredible anyway, especially the hospital scene where he shows up with flowers and rides with Max in the elevator. The restaurant scene where Max is drinking and confesses his love to Ms. Cross is really exceptional, as well. Mostly because all three of the of the main cast have the chance to shine.

There's this sense of quirkiness to a Wes Anderson film that you can't find anywhere else and that's its charm. Anderson also has a knack for picking some pretty memorable soundtracks and knows how to make a scene look better than it should, but his writing is what stands out the most. Flawed people and unusual dialogue and situations; that's a Wes Anderson film at its core. Maybe that's why his movies are so easy to relate to since nobody is perfect and everyone finds themselves slipping up from time to time.

There's just something about Rushmore that speaks to you whether you relate to one of the characters, love Bill Murray, or have a thing for independent film. It's awkward and touching when things get heavy and hilarious and lighthearted when things are more laid back. It's well-written, you actually care about these eccentric characters, and the performances are top notch all around. Rushmore is one of those films you just have to see; you HAVE to. It's the type of film that latches onto you and never lets go while you're more than willing to let it stay as long as it's willing to stick around.