Review of Roxanne (1987) by Pauline Kael for The New Yorker — 29 Sep 2009
Aussie director Fred Schepisi, who has elsewhere handled much rougher material, does a professional job of creating a breezy atmosphere, but in the end it’s hopelessly sappy stuff.
You can read the full review where it was originally posted online.
This review of Roxanne (1987) was written by Pauline Kael and published by The New Yorker on 29 Sep 2009.
Roxanne has generally received positive reviews.
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