Review of Rose Hobart (1936) by Richard Brody for New Yorker — 26 Apr 2015
Cornell sees the very fact of popular movies, with their original and epochal power of limbic haunting, as an essential and irreducible art.
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This review of Rose Hobart (1936) was written by Richard Brody and published by New Yorker on 26 Apr 2015.
Rose Hobart has generally received mixed reviews.
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