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Last updated: 05 Jul 2026 at 01:52 UTC

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Review of by Richard Brody for New Yorker — 26 Apr 2015

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Cornell sees the very fact of popular movies, with their original and epochal power of limbic haunting, as an essential and irreducible art.

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This review of Rose Hobart (1936) was written by and published by New Yorker on 26 Apr 2015.

Rose Hobart has generally received mixed reviews.

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