Review of Ronin (1998) by Anthony Lane for The New Yorker — 05 Dec 2005
After a while, you stop counting the chases -- they just get longer and louder, and it's like watching the revival of a forgotten art form; the fact that it's done with a minimum of special effects makes it all the more stirring.
You can read the full review where it was originally posted online.
This review of Ronin (1998) was written by Anthony Lane and published by The New Yorker on 05 Dec 2005.
Ronin has generally received positive reviews.
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