Roma (2018) - Movie Reviews - Page 29 of 31

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Review of Roma (2018)

By Linda Holmes (61) for NPR (1,713) on 07 Oct 2018

Stunning in black and white, the film contemplates the ways in which Cleo's bond with her employers can seem almost familial and the ways in…

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Review of Roma (2018)

By Ben Rolph (32) for Discussing Film (16) on 06 Oct 2018

This is a film all about memories and is told through beautiful black and white visuals and precise grounded storytelling…

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Review of Roma (2018)

By Kent Turner (504) for Film-Forward.com (768) on 04 Oct 2018

What is the best way to see writer/director Alfonso Cuarón's reportedly semi-autobiographical ROMA…

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Review of Roma (2018)

By Rex Reed (1,506) for Observer (1,042) on 04 Oct 2018

It is humane, beautifully shot in 65 mm and glorious black and white, full of keen observations, intimate details and nuanced performances…

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Review of Roma (2018)

By Carlos Boyero (70) for El Pais (Spain) (511) on 25 Sep 2018

Nothing sounds forced in the director's exquisite description of that world of yesterday, everything sounds true, his formidable visual language…

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Review of Roma (2018)

By Rafael Motamayor (108) for IGN Movies (1,472) on 22 Sep 2018

The exploration of political upheaval, class and gender inequalities make this an important film, but the fact that it always remains grounded…

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Review of Roma (2018)

By Robert Daniels (336) for 812filmreviews (121) on 21 Sep 2018

Aparicio provides color in the smallest, yet most tantalizing spectrum…

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Review of Roma (2018)

By Jordan Ruimy (242) for World of Reel (117) on 20 Sep 2018

Social unrest can be felt all around the film's 135 minutes, and there are scenes that stay etched in your memory; that is what Roma is about,…

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Review of Roma (2018)

By Kong Rithdee (124) for Bangkok Post (172) on 20 Sep 2018

A moving, ravishing, heartbreaking ode to the Mexico…

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Review of Roma (2018)

By Erick Estrada (196) for Cinegarage (196) on 20 Sep 2018

Cuaron builds the symbol of a country that has killed their own future, a country that gives a face to the outside when inside, others tirelessly…

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Review of Roma (2018)

By Jake Cole (292) for Slant Magazine (8,298) on 19 Sep 2018

Roma is autobiography as autocritique, and in exploring a point of view adjacent to his own, Cuarón appears to have rediscovered his identity…

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Review of Roma (2018)

By Rafael Motamayor Aguiton (11) for IGN (1,013) on 18 Sep 2018

The exploration of political upheaval, class and gender inequalities make this an important film, but the fact that it always remains grounded…

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Review of Roma (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 18 Sep 2018

There's hardly a frame in Roma that doesn't make you sit up and take notice…

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Review of Roma (2018)

By Dwight Brown (181) for National Newspaper Publishers Association (180) on 17 Sep 2018

Shot in arresting black and white and gorgeously crafted, the film is marred by a very slow, meandering Act I that barely holds attention.Then…

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Review of Roma (2018)

By Rafael Guilhem (1) for El antepenúltimo mohicano (311) on 16 Sep 2018

It is the unique aspects of Rome, and not the invariables, that illuminate something about reality for which the sun has been insufficient…

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Review of Roma (2018)

By David Crow (142) for Den of Geek (424) on 14 Sep 2018

Roma is a slow but steady immersion that, for the most patient and least distracted viewer, will sweep you away in a vision that turns mid-20th…

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Review of Roma (2018)

By Joe Lipsett (87) for InSession Film (54) on 14 Sep 2018

Roma is hardly plot focused; it is almost entirely driven by emotion…

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Review of Roma (2018)

By Chris Bumbray (988) for JoBlo's Movie Emporium (1,959) on 14 Sep 2018

An absolute classic. Will be taught in film schools someday…

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Review of Roma (2018)

By Barry Hertz (792) for Globe and Mail (2,419) on 13 Sep 2018

A majestic feat of filmmaking, an intimate portrait of a family that also serves as a broad portrait of a changing nation…

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Review of Roma (2018)

By Rubin Safaya (167) for Cinemalogue (704) on 12 Sep 2018

Throughout the film, Cuarón's cinematography and editing tells a story of isolation and subordination-women and men framed and shot separately…

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