Review of Roma (2018) by Anthony Lane for The New Yorker — 10 Dec 2018
Roma is persuasive in its beauty. It wins you over. The face of Aparicio, in the leading role, is not placidly resigned but serene in its stoicism, and if she is less a participant than a bystander during the major convulsions of the era, well, few of us can claim to be much more.
You can read the full review where it was originally posted online.
This review of Roma (2018) was written by Anthony Lane and published by The New Yorker on 10 Dec 2018.
Roma has generally received very positive reviews.
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