Roma (2018) - Critic Reviews - Page 13 of 14

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Review of Roma (2018)

By Richard Lawson (539) for Vanity Fair (761) on 31 Aug 2018

This period epic...is so full of dazzlingly intricate visual poetry, so teeming with sensory spirit, that trying to review it is a bit like…

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Review of Roma (2018)

By John Bleasdale (289) for CineVue (2,163) on 31 Aug 2018

Alfonso Cuarón returns to his childhood for inspiration with the meticulously beautiful Roma, an autobiographical black and white thank you…

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Review of Roma (2018)

By Beth Webb (40) for Sight and Sound (827) on 31 Aug 2018

Astoundingly, this is Aparicio's acting debut…

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Review of Roma (2018)

By Raphael Abraham (46) for Financial Times (1,822) on 30 Aug 2018

Cuarón shoots in a generous widescreen that seems to take in all the sights, sounds and even smells of barrio life…

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Review of Roma (2018)

By Rory O'connor (154) for The Film Stage (3,162) on 30 Aug 2018

Despite the echoes of Fellini, the result feels almost new in a way and given the immersive nature of Roma it doesn’t seem so radical to…

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Review of Roma (2018)

By Fionnuala Halligan (367) for Screen International (2,241) on 29 Aug 2018

There’s a lot of love in ROMA, and, as is the way with love, it doesn’t always arrive in ways that are equal, or reciprocated, or even…

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Review of Roma (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 29 Aug 2018

Too often Roma feels dramatically insipid (the family is actually profoundly boring) and unsure of what it's trying to say about Cleo's life…

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Review of Roma (2018)

By Alonso Duralde (1,351) for TheWrap (3,203) on 29 Aug 2018

Alfonso Cuarón has created a heartfelt masterpiece of mood and nostalgia, one that reminds us that his gifts as a storyteller and an interpreter…

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Review of Roma (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 29 Aug 2018

Cuarón never seeks a tidy resolution for their loving, lopsided, complicated relationship…

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Review of Roma (2018)

By Peter Bradshaw (3,667) for Guardian (4,584) on 29 Aug 2018

At times it feels novelistic, a densely realised, intimate drama giving us access to domestic lives developing in what feels like real time…

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Review of Roma (2018)

By Jessica Kiang (522) for The Playlist (3,871) on 29 Aug 2018

This is personal filmmaking taken to such an extremely minute level that at times it can almost feel prurient, like we’re accidentally eavesdropping…

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Review of Roma (2018)

By Stephanie Zacharek (2,333) for TIME Magazine (1,130) on 29 Aug 2018

This glorious, tender picture, a memoir written in film language, is only indirectly about the man who made it…

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Review of Roma (2018)

By David Sexton (322) for London Evening Standard (2,015) on 29 Aug 2018

It was shot…

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Review of Roma (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 29 Aug 2018

Roma may not be the memoir film many might have expected from such an adventurous, sometimes raunchy, sci-fi/fantasy-oriented filmmaker, but…

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Review of Roma (2018)

By Robbie Collin (1,612) for Daily Telegraph (UK) (2,495) on 29 Aug 2018

Every individual scene feels filled with the lucid detail of a formative recollection or a recurring dream…

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Review of Roma (2018)

By Owen Gleiberman (3,271) for Variety (12,700) on 29 Aug 2018

Roma is no mere movie — it’s a vision, a memory play that unfolds with a gritty and virtuosic time-machine austerity…

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Review of Roma (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

Roma is by far the most experimental storytelling in a career filled with audacious (and frequently excessive) gimmicks…

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Review of Roma (2018)

By David Jenkins (910) for Little White Lies (3,136) on 29 Aug 2018

[Cuarón's] extraordinary and expansive new film, Roma, is on an altogether higher plateau - a transcendent picture album of snatched (albeit…

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Review of Roma (2018)

By Serena Donadoni (158) for Village Voice (8,525) on 07 Oct 2015

The director is all at sea with the choppy Manhattan Romance, finding nothing new in New York while self-consciously making a blander version…

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Review of Roma (2018)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 30 Sep 2015

Despite what the film might want us to believe, if he walks, talks and acts like a selfish, predatory creep, he is, and there's just no sympathizing…

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