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Last updated: 09 Jun 2026 at 20:09 UTC

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Review of by Carlos E — 12 Nov 2009

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A comedy disguised as a western, Hawks' film has the elements of both his comedies (the subjection of masculinity, lure of irresponsibility ) and his action/adventure films (male bonding, professionalism). It also features some of Hawks' other motifs including the Hawksian girl and preserving one's self-respect. It feature's Hawks' typical fast pace, eye-level, objective camera work, focus on gestures, and overlapping dialogue.

A good place to start with if you want to get into Hawks' films or if you want to just have a good time. Speaking of gestures, the opening scene features one the greatest uses of silence ever committed to film.

This review of Rio Bravo (1959) was written by on 12 Nov 2009.

Rio Bravo has generally received very positive reviews.

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