Review of Right Now, Wrong Then (2015) by Richard Brody for New Yorker — 07 Oct 2015
Either hour alone would be a wry, incisive, quietly painful drama, set at the intersection of art and life, about foregrounded action and the weight of personal history. Together, the two parts make a radical fiction about the crucial role of imagination in lived experience.
Hong’s narrative gamesmanship reveals agonized regret.
You can read the full review where it was originally posted online.
This review of Right Now, Wrong Then (2015) was written by Richard Brody and published by New Yorker on 07 Oct 2015.
Right Now, Wrong Then has generally received positive reviews.
Was this review helpful?
Yes
No
