Review of Ride the High Country (1962) by Pauline Kael for The New Yorker — 13 Oct 1966
Take two cornbelt veterans like Mr. McCrea and Mr. Scott, give them a taut, tangy script (by N. B. Stone Jr.) a trim supporting cast and a good director (Sam Peckinpah), and you have the most disarming little horse opera in months.
You can read the full review where it was originally posted online.
This review of Ride the High Country (1962) was written by Pauline Kael and published by The New Yorker on 13 Oct 1966.
Ride the High Country has generally received very positive reviews.
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