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Last updated: 05 Jun 2026 at 13:04 UTC

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Review of by Manohla Dargis for The New York Times — 11 Jul 2019

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Adopting a cool, oblique yet accessible approach that complements the washed-out, nicotine-stained palette, Naishtat builds a modular narrative that increasingly bristles.

You can read the full review where it was originally posted online.

This review of Red (2019) was written by and published by The New York Times on 11 Jul 2019.

Red has generally received positive reviews.

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