Review of Rashomon (1950) by Kyle20Ellis — 29 Mar 2022
While not my favourite Akira Kurasawa(for not only Japan's greatest director, but one of the finest directors there was) film, like Seven Samurai closely followed by Ran, Rashomon is still a fantastic film.
No Kurasawa film is the same without great scenery and cinematography, and Rashomon is no disappointment in that regard. The camera is always moving but never feels like too much due to how subtly composed they (and the editing) are, and the scenery especially the beautifully lit jungle is just as striking, not as epic as Seven Samurai but still making its mark.
The music, though I may prefer Ran's score when it comes to scores for Kurasawa's films, is always fitting with the mood and atmosphere of the film, and with its exploration of the relativity of truth the four accounts of the woodland encounter between a bandit and a wealthy couple is written in a compelling and completely credible manner.
Kurasawa's direction as ever is superb, as are the performances of Machiko Kyo and Toshiru Mifune. Overall, a truly remarkable film.
This review of Rashomon (1950) was written by Kyle20Ellis on 29 Mar 2022.
Rashomon has generally received very positive reviews.
Was this review helpful?
