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Last updated: 27 Jun 2026 at 00:19 UTC

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Review of by Glenn Kenny for The New York Times — 28 Nov 2018

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This film adheres to Rams’s aesthetics by being brisk, matter of fact, well lighted and composed of clean lines, metaphorically speaking. Brian Eno’s score, which he recorded as a series of discrete compositions, adds to the movie’s linear elegance.

You can read the full review where it was originally posted online.

This review of Rams (2018) was written by and published by The New York Times on 28 Nov 2018.

Rams has generally received positive reviews.

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