Review of Proud Mary (2018) by Dominick Suzanne-Mayer for Consequence of Sound — 14 Jan 2018
Henson, ever the magnetic performer, elevates so much of Najafi’s boilerplate direction with sheer presence alone; while the film consistently suffers from the tendency to bathe nearly every scene in maudlin strings and over-exposition, the actress manages to convey multitudes about Mary’s interiority with little more than a sustained gaze.
You can read the full review where it was originally posted online.
This review of Proud Mary (2018) was written by Dominick Suzanne-Mayer and published by Consequence of Sound on 14 Jan 2018.
Proud Mary has generally received mixed reviews.
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