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Last updated: 18 Jul 2026 at 21:08 UTC

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Review of by Eli Friedberg for The Film Stage — 24 May 2021

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This is Imaishi’s world. Every cut, gesture, and line of dialogue here is punctuated by maximum comic book-style exclamation points. Every spectacular action feat is escalated several different times over the top, crossing from coolness through self-parody and back to coolness in a way that’s bound to make the attention-deficient among us stand up and cheer.

You can read the full review where it was originally posted online.

This review of Promare (2019) was written by and published by The Film Stage on 24 May 2021.

Promare has generally received very positive reviews.

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