Review of Possessor (2020) by Mark Kermode for The Observer (UK) — 30 Nov 2020
Scenes of faces melting and bodies merging have a satisfyingly tactile feel, harking back to the experimental cinematic trickery of Georges Méliès, albeit with added 21st-century oomph. There’s a real physical depth to Possessor that helps keep the story grounded even during its most outlandish flights of fantasy.
You can read the full review where it was originally posted online.
This review of Possessor (2020) was written by Mark Kermode and published by The Observer (UK) on 30 Nov 2020.
Possessor has generally received positive reviews.
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