Review of Porto (2017) by Jeannette Catsoulis for New York Times — 16 Nov 2017
This first narrative feature from Gabe Klinger seduces with breathtakingly gorgeous visuals that feel both achingly nostalgic and elegantly modern. These often ravishing aesthetics and stylistic quirks act as soft restraints, keeping us watching despite a near-total absence of story and a thinly disguised attitude of male entitlement.
You can read the full review where it was originally posted online.
This review of Porto (2017) was written by Jeannette Catsoulis and published by New York Times on 16 Nov 2017.
Porto has generally received mixed reviews.
Was this review helpful?
Yes
No
