Review of Pollock (2000) by Chuck P — 15 Aug 2007

I love this movie becaused jackson pollock was amazing and totally tragic,.

This review of Pollock (2000) was written by Chuck P on 15 Aug 2007.

Pollock has generally received positive reviews.

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More Reviews of Pollock

Review of Pollock (2000)

By Wesley Morris (1,967) for San Francisco Chronicle (7,630) on 05 Jan 2015

Renders the juicy bits of the artist's life in two hours of pulsing highlights that suggest a man who never really had any emotional or psychic…

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Review of Pollock (2000)

By Dan O (462) on 01 Feb 2013

Great and inspiring with a wonderful cast and setting. Great character-depth display by Harris, and Gay Harden and Tambor are in top form…

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Review of Pollock (2000)

By John B (4,244) on 07 Feb 2014

Pollock is a good but not a great film…

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Review of Pollock (2000)

By Lucía M (67) on 18 Apr 2014

Cuántos problemitas que tenía este muchacho... pero qué belleza sus cuadros. Interesante película, muy buena actuación de Ed Harris…

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Review of Pollock (2000)

By Clint D (125) on 09 Aug 2012

Ed Harris' 2-hour love letter to painter Jackson Pollock features some great performances, especially his own, but ultimately left me underwhelmed…

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Review of Pollock (2000)

By Michal ? (172) on 09 Nov 2013

O tv?r?ím ivot? Jacksona Pollocka. Asi by to cht?lo znát n?co o jeho ivot? p?ed shlédnutím filmu, je tam hodn? jmen a pojm?, co mn…

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Review of Pollock (2000)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 04 Apr 2017

Pollock is confident, insightful work--one of the year's best films…

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Review of Pollock (2000)

By Lee M (4,001) on 20 Mar 2017

After the movie hits the 90 minute mark, it starts to lose the charm that it built up in the beginning…

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Review of Pollock (2000)

By Rod E (628) on 08 Jan 2013

Ed Harris is very good in this and brings Jackson Pollock and his paintings to life. The movie feels like it was set in the time period…

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Review of Pollock (2000)

By Elisa Turner (1) for Miami Herald (3,319) on 22 Aug 2013

Some of the most riveting passages of the film are Harris slathering skeins of rich color, dipped fresh from cans of house paint, onto canvases…

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