Review of Pinocchio (2022) by Josh Spiegel for Polygon — 08 Sep 2022
By studiously spelling out each emotion, Zemeckis and Weitz remove any potential for enigmatic complexity. And while the computer technology bringing Pinocchio to life is nowhere near as creepy as anything in Zemeckis’ Polar Express, that’s mitigated by how obviously fake he is anytime there’s a shot with a human actor “touching” or “holding” the little wooden boy.
You can read the full review where it was originally posted online.
This review of Pinocchio (2022) was written by Josh Spiegel and published by Polygon on 08 Sep 2022.
Pinocchio has generally received mixed reviews.
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