Review of Pina (2011) by A.o. Scott for The New York Times — 22 Dec 2011
The cumulative effect is exhilarating and also a bit frustrating, since so many dances are included and woven together the audience does not have the chance to experience any single work in its entirety.
But the power and intelligence of Bausch's approach, which at times seems more cerebral than sensual, is communicated.
You can read the full review where it was originally posted online.
This review of Pina (2011) was written by A.o. Scott and published by The New York Times on 22 Dec 2011.
Pina has generally received very positive reviews.
Was this review helpful?
Yes
No
