Review of Pina (2011) by Stephanie Merry for Washington Post — 02 Feb 2012
The result is a panorama of emotion, in which one dancer exhibits pure joy and another severe aching. As Bausch notes early in the film, words alone cannot describe something, nor can dance. One medium has to pick up where the last has left off.
The disembodied words seem to get to the heart of that idea.
You can read the full review where it was originally posted online.
This review of Pina (2011) was written by Stephanie Merry and published by Washington Post on 02 Feb 2012.
Pina has generally received very positive reviews.
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