Pina (2011) - Critic Reviews - Page 4 of 5

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Review of Pina (2011)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 21 Dec 2011

Wim Wenders' stylish 3D mirrors the bizarrely captivating world of choreographer Pina Bausch…

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Review of Pina (2011)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 21 Dec 2011

This isn't the kind of doc to explain everything (or anything, really)-it does honor its subject, though, and that's plenty…

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Review of Pina (2011)

By Melissa Anderson (387) for Village Voice (8,525) on 21 Dec 2011

Pina gives us the supreme pleasure of watching fascinating bodies of widely varying ages in motion, whether leaping, falling, catching, diving,…

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Review of Pina (2011)

By Guy Dixon (19) for The Globe and Mail (Toronto) (4,018) on 21 Dec 2011

Bausch's work, as performed by her dance company Tanztheater Wuppertal, is shot exactingly by Wenders, who captures everything from the largest…

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Review of Pina (2011)

By Anthony Lane (1,079) for New Yorker (1,403) on 13 Dec 2011

The question is, What do you get from Pina that you could not get from watching the Tanztheater live? Answer: More than you could possibly believe…

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Review of Pina (2011)

By Enrique Buchichio (359) for Uruguay Total (359) on 30 Nov 2011

No es una película sobre Pina Bausch sino para Pina Bausch, una suerte de hermoso tributo o regalo que le hacen (y que nos hacen) sus bailarines…

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Review of Pina (2011)

By Tim Brayton (2,283) for Antagony & Ecstasy (1,911) on 29 Nov 2011

Richly cinematic, using the camera to direct our attention, change our perspective, and significantly alter our sense of the space and the…

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Review of Pina (2011)

By David Hughes (139) for Empire (3,446) on 17 Oct 2011

It's a surprise to see Wim Wenders embracing 3D in its full, feature-length glory but the medium works well to capture the graceful swirl of…

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Review of Pina (2011)

By Jaime N. Christley (95) for Slant Magazine (8,298) on 17 Oct 2011

Go after Pina and you're going to have to go through a mob of modern-dance zealots first…

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Review of Pina (2011)

By Jim Schembri (1,298) for The Age (Australia) (918) on 17 Oct 2011

Unlike so many 3D films, Pina is a prime example of how big a difference the process can make to the film-going experience…

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Review of Pina (2011)

By Cole Smithey (1,865) for ColeSmithey.com (1,853) on 12 Oct 2011

…

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Review of Pina (2011)

By Emanuel Levy (2,948) for EmanuelLevy.Com (2,771) on 15 Sep 2011

Wim Wenders' tribute to (and for) the legendary choreographer Pina Bausch (who I have met several times) captures vividly the artist and her…

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Review of Pina (2011)

By Thomas Caldwell (278) for Cinema Autopsy (278) on 20 Aug 2011

The whole range of human emotion is expressed and experienced during this film, making it a sublime cinematic accomplishment…

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Review of Pina (2011)

By Sandra Hall (505) for Sydney Morning Herald (1,256) on 18 Aug 2011

It's a performance film that crystallises Bausch's style in a series of dance pieces amplified by interviews about her personality, methods…

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Review of Pina (2011)

By Craig Mathieson (459) for sbs.com.au (697) on 18 Aug 2011

3D feels suddenly human after you use it to watch Pina…

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Review of Pina (2011)

By David Stratton (799) for At the Movies (Australia) (716) on 16 Aug 2011

There's no doubting the skill with which Wenders has brought them to the screen, and his use of 3D is ravishing…

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Review of Pina (2011)

By Matthew Turner (2,508) for ViewLondon (2,339) on 26 Apr 2011

As a showcase for her work the film is extremely impressive and the 3D technology is put to spectacular use…

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Review of Pina (2011)

By Alistair Harkness (1,042) for Scotsman (1,471) on 24 Apr 2011

With cinemas already overrun with rubbish 3D movies, Wim Wenders' first foray into faux-immersive filmmaking distinguishes itself by featuring…

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Review of Pina (2011)

By Philip French (1,151) for Guardian (4,584) on 22 Apr 2011

It's an immensely attractive film that uses 3D interestingly to create theatrical space and it makes one want to learn more about Bausch and…

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Review of Pina (2011)

By Peter Bradshaw (3,667) for Guardian (4,584) on 20 Apr 2011

A tremendous film that sets out to make the new 3D technology an integral part of what is being created - a film with clarity and passion…

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