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Last updated: 13 Jun 2026 at 07:14 UTC

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Review of by Kevin Thomas for Los Angeles Times — 10 Jan 2015

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Gwynne is the anchoring presence as a classically dry, laconic New Englander who seems to know some terrible secret. Elliot Goldenthal has composed a helpfully ominous score, as moody as vintage Bernard Herrmann, and Peter Stein's cinematography is superbly varied, from the bright hues of a glossy magazine to the dark shadows of the charnel house.

No question about it, Pet Sematary is a handsomely produced film.

You can read the full review where it was originally posted online.

This review of Pet Sematary (1989) was written by and published by Los Angeles Times on 10 Jan 2015.

Pet Sematary has generally received mixed reviews.

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