Review of Permanent Midnight (1998) by Michael O'sullivan for Washington Post — 17 Oct 2002
Despite some small narrative flaws, though, Stiller alone is reason to keep watching. It's a brave, scary and antic tour de force from a performer who, over the past few years, has been slowly banging his head against the glass wall of typecasting.
In Permanent Midnight, the clown finally shatters the barrier and comes out the other side an actor.
You can read the full review where it was originally posted online.
This review of Permanent Midnight (1998) was written by Michael O'sullivan and published by Washington Post on 17 Oct 2002.
Permanent Midnight has generally received positive reviews.
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