Review of Patton (1970) by Riren — 10 Jan 2007

A movie that is guaranteed to grow less popular as the years pass and all things war become less acceptable - a positive notion for society, but an unfortunate one for film. Scott delivers the performance of a lifetime, fully embracing the geniune and outrageous character of General George S.

Patton. Much like GANDHI, PATTON focuses very little of the childhood or development phases of its title character, instead thrusting us towards a truly memorable and perplexing human. This story is very thoughtful and driven by dialogue, without much in the way of baseness or bloody action; indeed there is more screentime devoted to the fatigue and damage done by war than to battle.

Again like GANDHI, this film avoids criticizing its focal character, and tries to make its audience sympathize with whatever flaws or shortcomings it reveals about him. Really, the only difference between these two biopics (which are quite possibly the two best biographical films in the English language) is their main character's compulsion towards an end; Gandhi driven for peace, and Patton lusting for war.

Do not expect PATTON to flinch; to its final scenes, it will not concede that the insensitivity and battle-pride of its main character are wrong. The best it will do is thankfully suggest that people such as Patton are a rare and increasingly unnecessary breed.

The score is moving, the settings feel startlingly authentic (especially in contrast to contemporary film's green screen fetish), and the direction is unwaveringly thoughtful. This is a war movie for people who think, and thinking people need to see this movie.