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Last updated: 13 Jun 2026 at 02:13 UTC

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Review of by Chuck N — 06 Jul 2013

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It was fun to see DePalma return to the "neon-noir" genre, so successfully ripped off in NIcholas Winding Refn's Drive. A pulsing synth-soundtrack would have driven this retro confection over the edge, but DePalma went for [of course] a Hitchcockian classical score.

A tad predictable at times, but with a head scratching and provocative ending that rivaled the endings of what I will now refer to as DePalma's "neo-noir trilogy." [Body Double/Femme Fatale/Passion].

I laughed when I read an online reviewer understandably describe Passion with a Wall Street term, "dead cat bounce" [look it up], so a real DePalma fan like myself was happy to see a master using strokes from his most productive creative palette.

Not quite a full on comeback - but close!

This review of Passion (2013) was written by on 06 Jul 2013.

Passion has generally received mixed reviews.

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