Review of Paprika (2006) by Luiz F — 22 Jun 2010

Technique is not all. Astonishing drawings don't compensate a bad struturated plot.

This review of Paprika (2006) was written by Luiz F on 22 Jun 2010.

Paprika has generally received very positive reviews.

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More Reviews of Paprika

Review of Paprika (2006)

By Champ S (292) on 25 Mar 2017

The final part of the film went beyond all my expectation. The story is fresh and innovative…

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Review of Paprika (2006)

By Stefano C (730) on 15 Jun 2018

Very good animations, but the story is a bit a mess. In Japanese, probably, I would have understood pretty much the same…

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Review of Paprika (2006)

By Dawdlingpoet (1,123) on 21 Nov 2021

This is a slightly eery and mildly sinister anime film - it made me think of the film Inception, in terms of discussions about being able to…

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Review of Paprika (2006)

By Richard James Havis (225) for The Hollywood Reporter (7,050) on 21 May 2017

It is an intelligently written piece that only falters during the finale…

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Review of Paprika (2006)

By Nfw (20) on 24 Jun 2015

There is enjoyment to be had in PAPRIKA, I'm not going to deny that fact, though I still wish it's story and characters had been a little more…

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Review of Paprika (2006)

By Greg R (1,187) on 11 Mar 2016

The first time I saw this movie, I was kind of confused, as it didn't really seem to make a whole lot of sense…

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Review of Paprika (2006)

By David A (1,816) on 18 Feb 2018

A masterpiece that will blow your mind. Made by the late Satoshi Kon who made Paranoiia Agent and Perfect Blue. This is his swan song…

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Review of Paprika (2006)

By Michal N (39) on 26 Aug 2017

A great story with an amazing sense of style, both visually and audibly, coming from one of the best directors out there…

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Review of Paprika (2006)

By Michal Marek N (84) on 26 Aug 2017

A great story with an amazing sense of style, both visually and audibly, coming from one of the best directors out there…

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Review of Paprika (2006)

By Vincent C (177) on 15 Jul 2015

You cannot just watch this movie once. It has so much depth, and it's just oozing with allusions and metaphors…

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