Review of Papillon (2017) by Charles Bramesco for The Guardian — 22 May 2018
Hunnam and Malek both hold up their end of the deal. Noer, for his part, meets them halfway by conjuring golden-hued beauty for the jungle surroundings and a due griminess for the danker chambers of their holding compound.
He doesn’t overcomplicate things for himself, keeping the clunky dialogue to a minimum and focusing on the guiding light of Papi’s indomitable willpower.
You can read the full review where it was originally posted online.
This review of Papillon (2017) was written by Charles Bramesco and published by The Guardian on 22 May 2018.
Papillon has generally received positive reviews.
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