Review of Paddington (2014) by Anthony Lane for New Yorker — 12 Jan 2015
The writer and director, Paul King, scatters the tale with handfuls of eccentric charm, first in the forest and then in the home of the Browns. At one point, borrowing freely from Wes Anderson, he frames it as a living doll’s house, with each member of the family hard at work or play in a different room.
You can read the full review where it was originally posted online.
This review of Paddington (2014) was written by Anthony Lane and published by New Yorker on 12 Jan 2015.
Paddington has generally received very positive reviews.
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