Review of Our Souls at Night (2017) by Anthony Lane for New Yorker — 08 Oct 2017
As actors of undiminished allure, they deserve the best, and Our Souls at Night left me with an austere fantasy. If only Michael Haneke, say, had got hold of the screenplay; if only he had shorn it of its folksiness, its relaxing guitar score, and its subplot about Addie’s grumpy grandson (Iain Armitage), whom Louis persuades to lay down his iPhone in favor of toy trains and fishing.
You can read the full review where it was originally posted online.
This review of Our Souls at Night (2017) was written by Anthony Lane and published by New Yorker on 08 Oct 2017.
Our Souls at Night has generally received positive reviews.
Was this review helpful?
Yes
No
