Our Lady of the Assassins (2000) - Movie Reviews - Page 2 of 2

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Review of Our Lady of the Assassins (2000)

By Cli O (622) on 06 Nov 2008

Exagerada…

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Review of Our Lady of the Assassins (2000)

By Roxanne R (343) on 29 Sep 2008

An interesting, thought provoking and somewhat depressing movie about a love affair and the violence that surrounds our protagonists in Medellin…

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Review of Our Lady of the Assassins (2000)

By Jesús H (585) on 09 Jul 2008

Pelicula bien preparada con buenos actores y buenos guiones con realidad bien actuada, nada comparada a los pesimos guiones y actores de la…

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Review of Our Lady of the Assassins (2000)

By Gwendoline D (12) on 01 Jun 2008

Un film trÃ¨s fort sur la violence juvÃ©nile qui s'inscrit dans la droite lignÃ©e de Pixote, la loi du plus faible et n'est pas sans…

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Review of Our Lady of the Assassins (2000)

By Andrew R (1,534) on 14 Mar 2008

Aunque Medellin ha tenido epocas muy violentas, el exceso de la pelicula, parece una caricatura de un problema doloroso…

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Review of Our Lady of the Assassins (2000)

By John A. Nesbit (472) for Old School Reviews (429) on 15 Jun 2003

Medellin displays [its] bi-polar nature through Schroeder's perceptive camera…

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Review of Our Lady of the Assassins (2000)

By Joshua Tanzer (113) for Offoffoff (113) on 11 Mar 2003

Like a random gang shooting - it leaves a big impression but makes no sense…

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Review of Our Lady of the Assassins (2000)

By Dennis Schwartz (5,456) for Ozus' World Movie Reviews (5,456) on 25 Nov 2002

The message is fine, the film itself is not so fine…

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Review of Our Lady of the Assassins (2000)

By Philip Martin (1,107) for Arkansas Democrat-Gazette (1,391) on 28 Jul 2002

a subtle and rigorous examination of the dynamics of power, both personal and political ...like Thomas Mann's Death in Venice transposed…

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Review of Our Lady of the Assassins (2000)

By Roger Moore (6,008) for Orlando Sentinel (1,594) on 08 Nov 2001

A movie that finds a new way to get at the dichotomy of the violent yet supposedly religious and of the faith-starved yet militantly agnostic…

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Review of Our Lady of the Assassins (2000)

By Frederic And Mary Ann Brussat (3,072) for Spirituality and Practice (3,072) on 12 Oct 2001

A cautionary tale set in Medellin, Colombia, where even peace loving individuals become anesthetized by random carnage…

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Review of Our Lady of the Assassins (2000)

By Chris Hewitt (2,086) for St. Paul Pioneer Press (4,360) on 10 Oct 2001

Treats us to half-baked philosophizing along the lines of 'Life is short and ends when you least expect it' or 'People who aren't on TV don't exist…

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Review of Our Lady of the Assassins (2000)

By Chris Hewitt (St. Paul) (2,277) for St. Paul Pioneer Press (4,360) on 10 Oct 2001

Treats us to half-baked philosophizing along the lines of 'Life is short and ends when you least expect it' or 'People who aren't on TV don't exist…

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Review of Our Lady of the Assassins (2000)

By Laura Clifford (2,742) for Reeling Reviews (4,376) on 29 Sep 2001

Our Lady of the Assassins takes us on a poetic, nightmarish journey into a spiralling cycle of violence and death that is all the life too…

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Review of Our Lady of the Assassins (2000)

By Gene Seymour (406) for Newsday (2,345) on 06 Sep 2001

The whole film seems to keel over at the end, weary and debilitated by the savagery it chronicles. But the urgency and sadness resound in its wake…

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Review of Our Lady of the Assassins (2000)

By Michael Atkinson (678) for Mr. Showbiz (475) on 05 Sep 2001

Strives for political points while it's whiffing on simplicities like character, motivation, and believability…

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Review of Our Lady of the Assassins (2000)

By Gary Mairs (36) for culturevulture.net (793) on 02 Sep 2001

Death in Venice with 9mm Berettas...one of the best of Barbet Schroeder's career…

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Review of Our Lady of the Assassins (2000)

By Harvey S. Karten (2,210) for Compuserve (1,948) on 14 Aug 2001

A bleak, blasphemous, cynical and effective look at the death of civilization…

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Review of Our Lady of the Assassins (2000)

By Peter Henne (51) for Film Journal International (5,095) on 29 Jul 2001

Schroeder assays his subject rather than assails the viewer, delivering the city in creamy, beautifully fading browns…

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