Review of Opera (1987) by Rosco B — 08 Nov 2008
Argento's paean to his nation's foremost art form comes replete with his trademark blood and guts, a faceless, whispering killer in black gloves and undeniable technical brilliance. Also has one of the strongest central visual motifs I can remember in cinema, with his heroine bound and gagged and forced to watch the bloody murders of the killer via a set of pins taped under each eyelid.
This review of Opera (1987) was written by Rosco B on 08 Nov 2008.
Opera has generally received positive reviews.
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