Open Windows (2014) - Movie Reviews - Page 3 of 5

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Review of Open Windows (2014)

By Ecw (8) on 03 Feb 2015

The title is very attractive, but in my opinion the end product is just a mix of concepts that don't complement each other…

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Review of Open Windows (2014)

By Dustin Putman (2,479) for TheFrightFile.com (124) on 26 Jan 2015

A vise-gripped suspenser that reminds in its best moments of Brian De Palma in his professional prime…

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Review of Open Windows (2014)

By Travis L (104) on 25 Jan 2015

That was one twisty-turny-what-the-heck movie!! Well done for a low budget thriller. And that ending…

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Review of Open Windows (2014)

By Adriane Neuenschwander (5) for Consequence of Sound (1,431) on 13 Jan 2015

You can call Open Windows a lot of things -- baffling, sloppy, unfocused, and heavy-handed -- but you can't call it lazy…

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Review of Open Windows (2014)

By Michaël G (2,333) on 08 Jan 2015

Un buen thriller del gallego vigalondo, por ahi en cierta parte se estira demasiado, pero lo que mejor resulta es la fotografia y como va pasando…

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Review of Open Windows (2014)

By Paul A (1,065) on 07 Jan 2015

Pretty bizarre and over the top cheesy movie. Doesn't really make sense at all, definitely a movie I would not reccomend…

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Review of Open Windows (2014)

By Kisbali T (1) on 03 Jan 2015

Believe me, Open Windows is not as bad as the critics say. It's not revolutionary either…

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Review of Open Windows (2014)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 31 Dec 2014

All the cool technology on display fizzles out amid the emotionally detached contrivances…

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Review of Open Windows (2014)

By Eduardo B (287) on 04 Dec 2014

Only gets a star because Sasha grey is on the cast and she delivers a pretty good performance. The plot is a joke…

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Review of Open Windows (2014)

By Joem33 (11) on 01 Dec 2014

Brilliantly done, Nacho Vigalondo! I'm definitely adding this master-piece to my list of best movies seen this year…

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Review of Open Windows (2014)

By Luciano G (601) on 16 Nov 2014

Don't take the film too seriously and you'll most likely enjoy it.... it isn't a masterpiece but it is a blast to watch…

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Review of Open Windows (2014)

By Itsrobert13 (3) on 12 Nov 2014

I don't understand why the critics understimate that movie when he's the most original movie I saw ever. Some critics needs a second whatch…

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Review of Open Windows (2014)

By Maryann Johanson (2,701) for Flick Filosopher (2,694) on 10 Nov 2014

A disgusting tale that imagines its tiny side dish of commentary on toxic fandom and male entitlement makes up for it being a perfect example of such…

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Review of Open Windows (2014)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 07 Nov 2014

Open Windows goes from crazy to Crazy to CRAZY, but maintains enough energy and cultural currency to keep the entertainment value high…

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Review of Open Windows (2014)

By Jeffrey M. Anderson (3,573) for Common Sense Media (4,943) on 07 Nov 2014

What derails things isn't a fault of the technique but rather of the writing…

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Review of Open Windows (2014)

By Stephen Danay (78) for Under the Radar (636) on 07 Nov 2014

Despite its clever premise, Open Windows never quite gets around to addressing any of the interesting questions it raises…

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Review of Open Windows (2014)

By Rebecca Murray (740) for Showbiz Junkies (143) on 07 Nov 2014

By the time the end does come and there's a semblance of a resolution as to who did what to whom, you're left wanting to do a hard reboot to…

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Review of Open Windows (2014)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 07 Nov 2014

Before the tedious and convoluted cyber-thriller Open Windows is said and done, you may feel like jumping out of one…

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Review of Open Windows (2014)

By Chuck Wilson (418) for Village Voice (8,525) on 06 Nov 2014

The new thriller from Spanish writer-director Nacho Vigalondo (Timecrimes) is visually dazzling, but the story starts off silly and ends up…

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Review of Open Windows (2014)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 06 Nov 2014

Smothered by a storm of visual tics — and the tiniest of nods to “Rear Window” (1954) — any social commentary takes second place to…

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