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Last updated: 29 Jun 2026 at 02:22 UTC

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Review of by Aw C — 17 Jun 2018

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In my adolescence, this was unquestionably my favorite and most personally formative film, its themes of nonconformity, antiauthority, struggle and risk striking a deep chord with me. At some point, after reading the novel, I even performed the play as Mac, though I really was just doing my best Nicholson impression (and not a great one at that). While other movies-especially the aesthetically more avant-garde, those that do formally what this cries for textually-have today become new favorites, Forman's brilliant (and only second Hollywood-made) film still makes an impact on me.

Those thematic overtones of the film are still razor sharp, clear as day, yet inevitably challenging to a perpetually stifling status quo. Forman's deft ability to mix the comedic and the tragic, the bureaucratic and the chaotic-an obvious extension of his antiauthoritarian early works of the Czech new wave, though here more refined-finds its perfect setting in a claustrophobic mental asylum. What happens when the inmates take over an already infuriatingly mad system? Who gets to define "crazy"-those who ostensibly *are* or those who are charged with curing the "illness"? In an institution where the doctors have no more claim to knowing than the patients, where the experts are as vegetable-like and dead-to-life as the most failed of cases, the lobotomized, what constitutes a cure whatsoever? Who of these people, the outcasts and the weirdos and the chronics, even need to be cured?

Having now immersed myself in Freud and Lacan in a professional setting, I am now particularly struck by the role reversal between Mac and Ratched. For all her awful efforts, it is Mac who achieves the only breakthroughs in the film-Chief breaking out of his statuesque silence and breaking out of the building, Billy briefly overcoming his stutter, the others learning to stand up for themselves, if only for a moment-while Ratched, in all cases but the Chief's, immediately shuts such breakthroughs down again in order to maintain order. Because for Ratched and her ratchet system, *order* means the functioning of "giving orders." Because "order" here works not to establish a routine that facilitates a cure, but in fact prevents it-in the need to maintain the status quo, I am reminded of that quote attributed to Einstein: "Insanity is doing the same thing over and over but expecting different results.".

This review of One Flew Over the Cuckoo's Nest (1975) was written by on 17 Jun 2018.

One Flew Over the Cuckoo's Nest has generally received very positive reviews.

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