One Fine Morning (2022) - Critic Reviews - Page 2 of 2

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Review of One Fine Morning (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 27 Jan 2023

The film’s other performances aren’t as engaging as Seydoux and young Martins, which means One Fine Morning itself sometimes feels like…

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Review of One Fine Morning (2022)

By Jake Coyle (526) for The Associated Press (882) on 25 Jan 2023

There’s a wistful, warm feeling when wandering into a Hansen-Løve film…

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Review of One Fine Morning (2022)

By Timothy Cogshell (7) for The A.V. Club (5,644) on 24 Jan 2023

One Fine Morning is about people, family, friends, lovers, their disappointments, and their passions…

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Review of One Fine Morning (2022)

By Caroline Cao (13) for Slashfilm (971) on 12 Dec 2022

Like in her previous works, director Hansen-Løve has a gentleness when painting the portrait of women living and enduring in transitions,…

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Review of One Fine Morning (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 10 Dec 2022

[A] beautifully bittersweet and generous movie — which, like life itself, draws no distinction between the significant and the insignificant…

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Review of One Fine Morning (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 08 Dec 2022

The story’s ellipses and graceful structure are certainly admirable, but what elevates One Fine Morning is the texture of Sandra’s emotions,…

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Review of One Fine Morning (2022)

By Alex Saveliev (258) for Film Threat (5,156) on 14 Nov 2022

I can go on and on about the multiple tiny lightning bolts Hansen-Løve catches in her bottle…

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Review of One Fine Morning (2022)

By Pat Brown (171) for Slant Magazine (8,298) on 12 Sep 2022

The film’s storytelling is deceptively straightforward, rooted in realistic dialogue and Mia Hansen-Løve’s light touch as a visual stylist…

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Review of One Fine Morning (2022)

By Ross Bonaime (185) for Collider (1,032) on 10 Sep 2022

Seydoux brings both parts of this story together with grace and charm, and an honesty that makes this one of her best performances so far…

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Review of One Fine Morning (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 26 May 2022

Shot in gorgeous natural light by Denis Lenoir (the cinematographer on all but one of her films since Eden), and backed by a soundtrack of…

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Review of One Fine Morning (2022)

By Anna Bogutskaya (11) for Time Out (7,510) on 22 May 2022

It explores love, both romantic and familial, with no trace of drama or sappiness, and without ever feeling slight…

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Review of One Fine Morning (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 22 May 2022

Hansen-Love finds moments of truth in the melange, and Seydoux is transcendent, carrying a sadness inside which proves incredibly moving when…

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Review of One Fine Morning (2022)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 22 May 2022

In the quietly miraculous One Fine Morning (Un beau matin), writer-director Mia Hansen-Løve and her leading lady Léa Seydoux make the old…

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Review of One Fine Morning (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 May 2022

Hansen-Løve has traced her own paternal grief into an illuminatingly honest sketch about how loss is necessary for rebirth, guilt inextricable…

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Review of One Fine Morning (2022)

By Carlos Aguilar (278) for The Playlist (3,871) on 22 May 2022

As Sandra, Seydoux puts forward a delicately incandescent performance portraying someone in an unstable state, whose conflicting emotions about…

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Review of One Fine Morning (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 22 May 2022

Seydoux has unfakeable chemistry here with a perfect-as-usual Poupaud, the leading man in French cinema who seems most incapable of putting…

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Review of One Fine Morning (2022)

By Katie Walsh (1,279) for TheWrap (3,203) on 22 May 2022

Like a weaver on a loom, Hansen-Løve loops these moments together, threading small moments of thought-provoking social commentary throughout,…

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Review of One Fine Morning (2022)

By Guy Lodge (731) for Variety (12,700) on 22 May 2022

It knows the fragility of quiet, which is sometimes the sound of inner peace, and sometimes, per that Prévert poem, the echoing unrest of…

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Review of One Fine Morning (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 May 2022

For all its tendency to soap opera, it has a lovely happy-sad sweetness…

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