Review of One False Move (1991) by Michael Sragow for New Yorker — 05 May 2013
Skillfully performed and welcomely unpredictable, this low-budget crime film, made by actor turned director Carl Franklin, starts out as a herky-jerky exploitation piece, then turns into something better.
You can read the full review where it was originally posted online.
This review of One False Move (1991) was written by Michael Sragow and published by New Yorker on 05 May 2013.
One False Move has generally received very positive reviews.
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