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Last updated: 08 Jun 2026 at 04:50 UTC

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Review of by Richard Brody for The New Yorker — 16 Nov 2017

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For all its intimacy, the drama has a vast scope, a fierce intensity, and an element of metaphysical whimsy (including one of the great recent dream sequences), which all come to life in the indelibly expressive spontaneity of Kim’s performance.

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This review of On the Beach at Night Alone (2017) was written by and published by The New Yorker on 16 Nov 2017.

On the Beach at Night Alone has generally received positive reviews.

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